![]() Michael Mann is a master visualist and sensualist and his Los Angeles-set crime thriller Collateral takes his recurring theme of men at work under incredible pressure to its extreme. In Bruges is an impressive film you’d be sorry to miss. McDonagh’s sometimes savage sensibilities as a storyteller makes for a volatile mix of existential humor, Machiavellian tragedy, and an abundance of hilariously deployed f-bombs.Īll signs indicate that In Bruges is amassing an appreciative cult following, and it certainly has a fair share of quotable quips (“You can’t sell horse tranquilizers to a midget!”), eccentric characters, and exciting set pieces. An offbeat caper that focusses on two London-based Irish hitmen, Ken (Brendan Gleeson) and Ray (Colin Farrell), a perpetual misunderstood pair hiding out in the medieval town of Bruges after some mucky business went sour back home. “Bruges is a shithole,” is the comic maxim in Martin McDonagh’s pitch black comedy In Bruges. Inventive and pulpy, Looper is a fascinating slice of speculative fiction that surely led to Johnson’s director chair for Star Wars: Episode VIII. Joe (Gordon-Levitt) is such a looper who encounters an older version of himself (Willis) and from there the shit and the fan are fatefully assigned.Īs convoluted as Looper occasionally finds itself, it is nevertheless a fist-pumping white knuckler with heaps of atmosphere and excitement, offering up many new wrinkles in the time-travel subgenre, complete with clever twists, dazzling temporal tricks, and a surprise finish. These bad guys send people they want dead into the past where they are executed by the eponymous “loopers” –– hitmen who are in on the machinations of time travel. An all-star cast including Emily Blunt, Paul Dano, Joseph Gordon-Levitt, and Bruce Willis populate the film, which establishes that time travel is invented in 2074 but is immediately outlawed though is still used illegally by a crime syndicate. Rian Johnson made his first sci-fi actioner with this time travelling crime thriller Looper. See what it feels like.” A fun comedy and a good cool down for all the other intense films on this list. Oatman, Martin’s psychiatrist, who is more than a little stressed to regularly hold space for a mass murderer, suggesting to his patient: “Don’t kill anybody for a few days. Particularly memorable is Alan Arkin’s turn as Dr. The results are engaging, decidedly droll, literally dead pan, and laugh-out-loud. This breezy black comedy from George Armitage posits Martin Blank (John Cusack), a depressed hitman who goes home for his ten-year high-school reunion as an opportunity to lift his spirits, see an old flame (Minnie Driver), and rub out a bad guy while he’s at it. The list that follows earmarks the very best films of this variety but be warned: danger and excitement awaits, but at what terrible cost? ![]() It’s no wonder that films featuring contract killers, hitmen, and assassins make for a delightful distraction, albeit a bloody one, and that the ones that stand out, transcend the action or thriller genre they exist in and become something more. ![]() ![]() Wish fulfillment escapism of this nature is pretty normal, most people’s nine-to-five is seldom as exciting as, say, being paid a king’s ransom to “kill the president of Paraguay with a fork.” Sometimes with certain movies it can be more fun to root for the bad guys or to identify with antiheroes who behave in morally questionable ways. ![]()
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